— May 5th, 2012 —



Movie Review: “Hugo”


After his clockmaker father perishes in a museum fire, Hugo goes to live with his Uncle Claude, a drunkard who maintains the clocks at a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In his free time, he attempts to repair an automaton his father rescued from the museum, while trying to evade the station inspector, a World War I veteran with no sympathy for lawbreakers. When Georges, a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as an assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle, introduces Hugo to a kindly bookseller, who directs them to a motion-picture museum, where they meet film scholar René. In helping unlock the secret of the automaton, they learn about the roots of cinema, starting with the Lumière brothers, and give a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a cause to which the director has dedicated his life. If Scorsese’s adaptation of The Invention of Hugo Cabret isn’t his most autobiographical work, it just may be his most personal.” — from Amazon.com

 
Hugo had me from the beginning. Hugo Cabret is a young boy, an orphan, who lives alone in a train station in Paris. He’s intrigued with and enjoys fixing mechanisms—gears, springs, teeny screws; and his father, before tragically passing away, obtained an old automaton—a mechanical man—and spent time with his son working to restore the robot.
 
But a terrible disaster happens, and now Hugo is alone—until a young book-loving girl, Isabelle, befriends him and they work together to repair the automaton. Neither Hugo nor Isabelle know it, but one of the great pioneers of movie production is living right under their noses. Together the two uncover the wondrous history of this man and bring the proper recognition to him that he deserves.
 
From a production standpoint, Hugo is an astonishingly colorful film. Blues and yellows, turquoise, reds, silver: every single frame from the film is a beautiful tapestry. The cinematography is excellent as well, and the storyline and characters are compelling and endearing.
 
Hugo is, in short, a visual treat and a wonderful story.
 
 
 
INDECENCY: Very little. Some of the very old films pictured have rather immodest women. A man makes a comment regarding possible infidelity—but this is so quick that, unless you have subtitles on, it will likely be missed by anyone not looking for it—especially children.
LANGUAGE: Surprisingly, none.
AGE RANGE: Family-friendly.



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